Improvisations around Clarence Larkin’s Dispensational Truth Or God’s Plan and Purpose in the Ages from my father’s library.
This was one of many books I found fascinating when I was a child, such as Fox’s Book of Martyrs and Forty Future Wonders.
Mainly I was taken by the graphics.
In the process of bricolage colour, shape, object, text and image have gravitated towards the fragile surfaces of Larkin’s charts.
You can see samples of Larkin’s charts here.
The Revelations is the title of my current application to the AADIA scheme. It aims to combine The Archives and The Revelations in a photo exhibition that will provide the structure within which broadcast performances will be staged. The performances will be built around the service of The Stations of the Cross.
